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Restless Earth (Children of Karma Book 1) Kindle Edition
“It’s not always easy to tell the good guys from the bad guys. And sometimes, there are no good guys.”
Four men scattered across the globe. . .
One seeks pleasure
One seeks purpose
One seeks redemption
And one seeks revenge.
A wind is howling around the skyscrapers of New York, through the battlefields of Iraq, and into the bustling streets of Bangkok. It carries with it the fates of these four men: men bound together by chance and history.
Which of them – if any – will survive the tempest?
The Children of Karma series will appeal to lovers of the following book categories: mystery, thriller, crime, Thailand fiction, private investigators, British detectives, and amateur sleuths.
- LanguageEnglish
- Publication dateNovember 24, 2017
- File size1.4 MB
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Editorial Reviews
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THE WISHING SHELF BOOK AWARDS "A gripping thriller populated by a number of well-constructed and rather nasty characters." - The Wishing Shelf
Product details
- ASIN : B076GRP4VH
- Publisher : Tention Publishing Limited
- Accessibility : Learn more
- Publication date : November 24, 2017
- Language : English
- File size : 1.4 MB
- Simultaneous device usage : Unlimited
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Print length : 356 pages
- ISBN-13 : 978-1912361007
- Page Flip : Enabled
- Book 1 of 3 : Children of Karma
- Best Sellers Rank: #1,942,278 in Kindle Store (See Top 100 in Kindle Store)
- #7,433 in International Mystery & Crime (Kindle Store)
- #9,466 in International Mystery & Crime (Books)
- #32,574 in Crime Fiction (Kindle Store)
- Customer Reviews:
About the author

"Makes a living by travelling, talking a lot and sometimes writing stuff down. Galericulate author, polymath and occasional smarty-pants."
John Dolan hails from a small town in the North-East of England. Before turning to writing, his career encompassed law and finance. He has run businesses in Europe, South and Central America, Africa and Asia. He and his wife Fiona currently divide their time between Thailand and the UK.
He is the author of the 'Time, Blood and Karma' mystery series and the 'Children of Karma' mystery trilogy.
Customer reviews
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Learn more how customers reviews work on AmazonCustomers say
Customers praise the book's intricate plot with many twists and turns, and find it a great read with richly developed characters. Moreover, the book is intelligent, with one review noting how it informs readers from multiple perspectives, while another highlights its precise word usage. Additionally, customers appreciate the nice sprinkle of humor throughout the narrative.
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Customers enjoy the suspenseful plot of the book, describing it as an excellent thriller with spellbinding intrigue and many twists and turns.
"...It makes for a marvelous plot trajectory, one that puts the reader on his toes keeping track of all the confluences...." Read more
"...the book will hold you captive from beginning to end with its elements of mystery, suspense, romance, and spellbinding intrigue." Read more
"...He is wickedly unpredictable. His latest book, RESTLESS EARTH kicks off a new series called ‘Karma’s Children’ and draws upon several characters..." Read more
"...The storyline is cunning and clever, peppered with perceptive reflections, and emotional engagement as events unfold...." Read more
Customers find the book highly readable, with one describing it as a captivating summer read.
"...the first four Braddock novels to understand the man, but they are terrific reads, and you would be missing a great deal of fine entertainment...." Read more
"Author of the highest order!..." Read more
"I’ve read John Dolan’s ‘Time, Blood and Karma’ series and enjoyed it immensely...." Read more
"...Without a doubt, the best novel, in any genre, I have read this year. Do not miss this one. Highly recommended." Read more
Customers appreciate the character development in the book, noting that the characters have richly developed personas.
"...His dialogue continues to be snappy. The characters have richly developed personas...." Read more
"...As per the author’s signature style, he also writes formidable female characters, one in particular...." Read more
"...-driven, yet unlike the others, here we are treated to four superbly drawn protagonists, two we fans of Dolan’s work have met in previous books and..." Read more
"...I was not disappointed. Several of the characters were familiar, including the previous series’ protagonist, the tormented David Braddock...." Read more
Customers find the book intelligent, with one review noting how it presents events from multiple perspectives, while another mentions its noir style.
"...I promise you a well-crafted, intricate, clever, and unnerving plot...." Read more
"...John David Dolan is a master of putting words in a magical and most engrossing way...." Read more
"...is able to jump from one time zone to another, informing us of events from multiple perspectives...." Read more
"...The storyline is cunning and clever, peppered with perceptive reflections, and emotional engagement as events unfold...." Read more
Customers appreciate the writing style of the book, with one noting how words are used very precisely and another mentioning how scenes are vividly depicted.
"...Folks, he’s not showing off. The words are used very precisely. So how do Braddock, Trask, and Fosse tie together?..." Read more
"...in my tweets about his books, John David Dolan is a master of putting words in a magical and most engrossing way...." Read more
"...Every word counts and his work is intensely readable. I enjoyed ‘Restless Earth immensely. Strongly recommended." Read more
"...Gorgeous prose, taut storytelling, exotic locations, well-drawn characters, and a plot that makes me want to spit out clichés like, “a real page..." Read more
Customers enjoy the book's humor, with one noting how the author infuses playfulness into the narrative.
"...In Restless Earth, Mr. Dolan maintains his well-honed literate sense of humor...." Read more
"...tautly woven and evocative plot, the author is able to infuse playfulness into his narrative...." Read more
"...yarn packed with drama, mystery, romance, intrigue and a nice sprinkle of humour. A most talented writer, Mr. Dolan wields a mean pen...." Read more
"...His wry humor is fun, at times twisted, and definitely has a noir flair - and I'm a noir fangirl...." Read more
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Author of the highest order!
Top reviews from the United States
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- Reviewed in the United States on December 27, 2017Once there was a man who roamed the Earth in search of the meaning of life, the key to achieving satori, the chance to meet God face to face. Unfortunately, failing to find any answers, he gave up the search, took up drinking, and became a novelist. John Dolan is the man’s name, Lagavulin 16 is the drink, and whether or not he ever attains true enlightenment, he has superb taste in Scotch, and he writes a hell of a good novel.
Restless Earth is a suspense tale. Someone is murdered. Someone disappears. David Braddock, the main character, who is a private detective and amateur psychotherapist, and who resides in Thailand, must solve the murder and disappearance. I promise you a well-crafted, intricate, clever, and unnerving plot. Mr. Dolan’s writing skill has a long and solid reach which is every bit equaled by its grasp.
David Braddock has appeared in four previous Dolan novels. It’s not absolutely necessary to read the first four Braddock novels to understand the man, but they are terrific reads, and you would be missing a great deal of fine entertainment. Feel free to start with Restless Earth, but even if you do, I urge you to consider going back to “Everyone Burns” to get the full picture of David Braddock, his loves, his friends, his enemies, and his adventures. I was hooked from the beginning, and have eagerly awaited each new installment since.
In Restless Earth, Mr. Dolan introduces two major new characters, Trask and Fosse (Fosse does appear in an earlier Braddock novel, and in a very short and very funny story that Dolan published some years back called “Jim Fosse’s Expense Claim”, then disappears).
Through Trask, Mr. Dolan takes us on a journey through the hell that was the second Iraq war, and shows us how men can become depraved when driven to extremes. The trip is grueling for the reader, but necessary to understand what makes Trask tick, and how he struggles to adapt when he returns to the “real” world. Trask is every wounded combat veteran who ever came back with PTSD. Only more so.
Fosse is a creepy, narcissistic, and psychotic psychopath, and the story of his inner insanity is thrilling to read in first person and present tense. Fosse clearly has a strong sense of entitlement, and gives himself permission to commit any heinous act, well, just for the fun of it. The sexual charge that Fosse and other psychopaths often get from violence is described in an eerily disturbing way by Mr. Dolan, who has created in Fosse a truly memorable and cagey villain.
Robert Altman was the master of a style of film in which characters are introduced one by one, and their lives begin to intersect in seemingly random ways, until by the end it all makes sense. It is my favorite genre of film. Mr. Dolan does the same thing in Restless Earth. Minor characters appear, disappear, and then reappear when least expected, intersecting and then interconnecting with major characters that they had not previously ever met. It makes for a marvelous plot trajectory, one that puts the reader on his toes keeping track of all the confluences.
In Restless Earth, Mr. Dolan maintains his well-honed literate sense of humor. In fact, if anything, it has become both more refined and more sardonic. His dialogue continues to be snappy. The characters have richly developed personas. Although women are not the main protagonists in Dolan’s novels, every one of them steps to her own different drummer, adding richness to the proceedings. And this reader simply loves a writer who uses words like basilisk, anfractuous, abstemious, pullulated, larruped, and epicanthic. Folks, he’s not showing off. The words are used very precisely.
So how do Braddock, Trask, and Fosse tie together? You’ll have to read the book to find out. There are a few small surprises and one gigantic surprise that is both far-fetched and immensely satisfying. I hope I’ve piqued your interest.
About one third of the way through, it was clear to me that the complex story was going to have to be played out in more than just one novel (a clue was that the subtitle of the book is “Karma’s Children Book 1). The ending has more cliff-hangers than the Grand Canyon. Mr. Dolan, please do NOT make me wait too long for the next installment.
- Reviewed in the United States on December 22, 2017Author of the highest order!
As I write in my tweets about his books, John David Dolan is a master of putting words in a magical and most engrossing way. Here are two samples from Part 2 ('Trask') of RESTLESS EARTH - soldier with bruised mind and mangled leg from an angry, brutal combat tour in the Middle East - in consultation with a 'post-war stress' doctor:
"Do I any longer have free will?" Sam Trask wondered. "If I am really nothing more than a slave to my unconscious, my imbalanced brain chemistry, my autonomic nervous system, and my skewed, unreliable memory – then what, if anything, am I?"
Or, these words in a letter written by a soldier who fought in Afghanistan:
"If you want to know how I feel, most of the time I just feel irritated. Like time is being wasted, like things are not happening fast enough. The minute hand on my watch drives me, not the hour hand, certainly not the day of the week or the month. I count seconds in my head in the elevator, going up staircases, on walking journeys from one building to another. I want people to be briefer, to get to the point. I want them to shut up, stop elaborating, give me a 'yes' or a 'no'. I want to finish their sentences for them. I have urges to answer my own questions, then say to them, 'Is that right? Just nod or shake your head. No need to open your mouth'.
"If I drank instant coffee, or took sugar I would, like Prufrock, measure out my life in coffee spoons.
"When I read a book, I take note of the page numbers and compute the percentage I have covered. My brain is a jumble of geometry and mathematics, angles, perspectives, decimals. Equations and chaotic fractals bubble up constantly into my consciousness. Nothing is ever still. Everything erodes, cascades, reforms, reinvents itself under the ceaseless assaults of mutating arithmetic forms. My world comprises circles, arcs, lines, squares, arrows, Mandelbrot sets and intersections. I see the structure below the surface, the skull beneath the skin. My fingernails and surrounding epidermis are chewed down, ceaselessly ripped by computing teeth. My fingertips tap out multiples of even numbers, countdowns, primes. People appear to me as transparent ciphers, puppets of passions and beliefs – and in consequence I cannot take anyone seriously, not even myself.
"I am plagued by many 'whys', but no longer with the big whys. These days I am more drawn to the questions that philosophers would find trivial. Put simply, philosophy no longer interests me, seems to me no more than an exercise in self-indulgence. In truth, some residues of ideas and attitude remain, but these ruined, decayed pillars can no longer support a superstructure of positive belief.
"I am like the driver of a runaway train who realizes he has lost control, but no longer cares. I observe the screaming passengers impassively, feel the rushing air on my face and raise my arms to the sky. The event horizon approaches, the ultimate quadratic equation, and the numbers finally resolve themselves into an oblivion of zero; substituting life for death.
"At last, it will all make sense."
There are four characters who drive John Dolan's narrative, each with his own part in RESTLESS EARTH, and two of them will be familiar to fans of the author.
You can read the blurb on RESTLESS EARTH on the Amazon page. I give nothing relative to content away here. I prefer to show you samples of this author's prodigious talent. I can only say, the book will hold you captive from beginning to end with its elements of mystery, suspense, romance, and spellbinding intrigue.
5.0 out of 5 starsAuthor of the highest order!Author of the highest order!
Reviewed in the United States on December 22, 2017
As I write in my tweets about his books, John David Dolan is a master of putting words in a magical and most engrossing way. Here are two samples from Part 2 ('Trask') of RESTLESS EARTH - soldier with bruised mind and mangled leg from an angry, brutal combat tour in the Middle East - in consultation with a 'post-war stress' doctor:
"Do I any longer have free will?" Sam Trask wondered. "If I am really nothing more than a slave to my unconscious, my imbalanced brain chemistry, my autonomic nervous system, and my skewed, unreliable memory – then what, if anything, am I?"
Or, these words in a letter written by a soldier who fought in Afghanistan:
"If you want to know how I feel, most of the time I just feel irritated. Like time is being wasted, like things are not happening fast enough. The minute hand on my watch drives me, not the hour hand, certainly not the day of the week or the month. I count seconds in my head in the elevator, going up staircases, on walking journeys from one building to another. I want people to be briefer, to get to the point. I want them to shut up, stop elaborating, give me a 'yes' or a 'no'. I want to finish their sentences for them. I have urges to answer my own questions, then say to them, 'Is that right? Just nod or shake your head. No need to open your mouth'.
"If I drank instant coffee, or took sugar I would, like Prufrock, measure out my life in coffee spoons.
"When I read a book, I take note of the page numbers and compute the percentage I have covered. My brain is a jumble of geometry and mathematics, angles, perspectives, decimals. Equations and chaotic fractals bubble up constantly into my consciousness. Nothing is ever still. Everything erodes, cascades, reforms, reinvents itself under the ceaseless assaults of mutating arithmetic forms. My world comprises circles, arcs, lines, squares, arrows, Mandelbrot sets and intersections. I see the structure below the surface, the skull beneath the skin. My fingernails and surrounding epidermis are chewed down, ceaselessly ripped by computing teeth. My fingertips tap out multiples of even numbers, countdowns, primes. People appear to me as transparent ciphers, puppets of passions and beliefs – and in consequence I cannot take anyone seriously, not even myself.
"I am plagued by many 'whys', but no longer with the big whys. These days I am more drawn to the questions that philosophers would find trivial. Put simply, philosophy no longer interests me, seems to me no more than an exercise in self-indulgence. In truth, some residues of ideas and attitude remain, but these ruined, decayed pillars can no longer support a superstructure of positive belief.
"I am like the driver of a runaway train who realizes he has lost control, but no longer cares. I observe the screaming passengers impassively, feel the rushing air on my face and raise my arms to the sky. The event horizon approaches, the ultimate quadratic equation, and the numbers finally resolve themselves into an oblivion of zero; substituting life for death.
"At last, it will all make sense."
There are four characters who drive John Dolan's narrative, each with his own part in RESTLESS EARTH, and two of them will be familiar to fans of the author.
You can read the blurb on RESTLESS EARTH on the Amazon page. I give nothing relative to content away here. I prefer to show you samples of this author's prodigious talent. I can only say, the book will hold you captive from beginning to end with its elements of mystery, suspense, romance, and spellbinding intrigue.
Images in this review
- Reviewed in the United States on November 29, 2017I’ve read John Dolan’s ‘Time, Blood and Karma’ series and enjoyed it immensely. When I heard he had a new book out, I presumed it was part of the same series.
I should never presume with Dolan’s writing. He is wickedly unpredictable. His latest book, RESTLESS EARTH kicks off a new series called ‘Karma’s Children’ and draws upon several characters from his previous books.
The story begins in England and travels across the globe, from the USA to South Baghdad to Southeast Asia.
Private investigator and sometime therapist, David Braddock returns, but the other male characters are a real surprise. As per the author’s signature style, he also writes formidable female characters, one in particular.
The plot is presented in a way that is unlike a standard “whodunnit.” With strong emphasis on the interconnectivity of people and place, the story is able to jump from one time zone to another, informing us of events from multiple perspectives. We are invited to solve a mystery, only it’s not as simple as fitting pieces together to form a complete picture. Dolan’s world is not a flat jigsaw puzzle, after all. His is a three-dimensional one with numerous moving parts.
Despite a tautly woven and evocative plot, the author is able to infuse playfulness into his narrative. It’s a skill he has mastered and readers will appreciate.
RESTLESS EARTH is an addictive novel with plenty of surprises to keep the reader riveted to the very end. I should know, I’m already jonesing for the next book.
Top reviews from other countries
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jeanniellReviewed in France on December 3, 2017
5.0 out of 5 stars Electrifying
Reading this latest novel by John Dolan was an electrifying experience, a bit like watching live opera. Everything comes together–story, actors, scenery, music– in one potent, highly-concentrated shot.
The author is a master story-teller, nourished by the intellectual humus of great writers and thinkers. ‘Restless Earth’ is a classic thriller in the tradition of Graham Greene’s novels of the same genre. Suspense, intrigue, moody settings, eyeball-to-eyeball confrontations with Life’s Big Questions. It’s immediate, charged with energy, an edge-of-the-seat ride where surprises leap out like malevolent jack-in-the-boxes in a Night at the Haunted House. From thumb-nail sketches of goitered beggars and frayed middle-managers through to the psychological complexity of amoral predators and failed heroes, the characters are brilliantly drawn. They pull us into their worlds, setting our emotions swinging between pity and horror, admiration and disgust, sadness and glee, belief and disbelief. The dramatic intensity of the writing is thankfully leavened with black humour, where you’re allowed to laugh in relief and remember that this is just fiction. (Or is it? We are, after all, in Dolan-land, where nothing is what it seems.)
The settings transport us far and wide, from the watery palette of the polite British Midlands to the blood and brutality of war-torn Iraq, on to the throbbing cacophony of Bangkok, its ‘tainted nights’, its invigorating ‘edgy eagerness’. Each distinct ambience is instant, graphic, palpable. Against these varied and vivid backdrops, the actors glide to centre stage or step back into the wings in beautifully orchestrated moves. And the music? That would be the writing: the seemingly effortless modulation of tone that is a characteristic of this author, the admirable command of the English language which segues smoothly from rich, dense prose to terse minimalism, studded with the beauty of the ‘mot juste’, an accomplishment that would have had Flaubert doffing his chapeau and getting out his hankie.
Can you tell I’m a fan? The book would be a great read as a stand-alone, but Dolan fans get more, recognising familiar themes and allusions. Each new event prompts the characters to reflect on the way they fit in to an ever-more fractured world, their individual responsibility, the nature of good and evil, their actions, with ‘their resultant impacts’, their failure to act, and the potential ‘karmic payback’. The idea of connections– Indra’s web–introduced in ‘Everyone Burns’, continues. Trask in Bangkok realises that ‘everything is like an echo of everything else’ and Braddock, thinking back on what has passed, muses over ‘what common threads had orchestrated the far-flung happenings that were the subjects of his enquiries’, what ‘causal links’ bound him to the other actors in the drama. Though the main protagonists are male, women are a vital element in the pattern, appearing, disappearing, re-appearing, the living and the dead, exerting influence and shaping events. ‘Without woman, man is nothing’.
‘Running on Emptiness’, with its shock finale, left readers unsure if this was the last goodbye for totally addictive anti-hero David Braddock. ‘A cycle has ended. A circle has closed.’
So what next? Dolan gives us the answer in this stunning introduction to a second series where old and new come together: ‘Karma’s Children’.
Four men dominate Book 1. First, Braddock (hurray!), exactly where we left him, at his father’s funeral. He’s in familiar, world-weary, self-parodic mode, ‘a creature resigned to disappointment’, puffing on Marlboroughs ‘to ward off the evil of too-deep contemplation’. The usual female entourage dispenses advice about a ‘life re-set’. After a few false starts, things look up: ‘The heartbeat of Samui life once more synchronized with Braddock’s pulse.’ But: ‘that was not about to last.’
Another familiar character pops up. A sociopath bent on the perversion of innocence, Jim Fosse lands with a bang centre stage, flexing and unfurling into a chilling monster, ‘exploring ever-more arcane regions of the psyche’, a 21st- century Hannibal Lecter, except that Lecter is nicer and Fosse hasn’t actually eaten anybody (as far as we know). His riveting encounter and subsequent obsession with ‘That Woman’ in Bangkok (no spoilers) is a horrifying look into the abyss.
Two others complete the quartet. Sam Trask is an innocent, a man of chivalry in a brutal world. We find him in Iraq, a Private in Charlie Company, in the Triangle of Death. The horror of his experiences and his subsequent disintegration and overwhelming sense of failure leave him stranded back in the US, ‘a suit of armour held together with one rivet’.
The last of the four, Jebediah Reichenbach, sits in a motel on the outskirts of Greensboro, waiting. A figure in a Hopper painting, sick, gaunt, plotting revenge, Mr R is clad in black, and ‘his body thus melded into the gloom of the motel room, only his pale, claw-like hands, scrawny neck and haggard face catching the light. And those eyes, how they burned with some internal fire! They were the eyes of a zealot.’
All the pieces are now in place on the chess board. To one side, the Ace of Spades awaits.
Authors of successful series face the pressure of writing The Next Book. When will it be out? Will it be as good as the last?
The answer in this case is a resounding ‘yes’. And not just ‘as good’ but ‘even better’.
For readers sick at heart at having reached the end of ‘Restless Earth’, Book 2, fortunately, is in the making.
- OlgaNMReviewed in the United Kingdom on April 11, 2019
5.0 out of 5 stars Great characters and settings, a complex mystery and a masterful villain. Another winning series.
Anybody who has been following my reviews for a while will know that I love John Dolan’s writing. I discovered his books a long while back and I’ve been following his career with interest ever since. I was both sad and exhilarated when he brilliantly closed his previous series Time, Blood and Karma with the novel Running on Emptiness. I bought a copy of his new book, the beginning of a new series, Karma’s Children a while back, but it wasn’t until I received the ARC for the second book that I realised I had yet to read and review the first one. Yes, I’d been busy, but I wonder if part of my reluctance was to do with starting a new series afresh, after having enjoyed the previous one so much. Could it live up to my expectations?
Having now read the first book (and started the second one straight away), it’s fair to say that it has. The new book is not a complete break. Some of the characters and the settings we are already familiar with (I don’t feel qualified to comment on how well the book stands on its own. My inkling is that it could be read and enjoyed by somebody who hadn’t read any of the previous books, but there would be quite a few lose threads and I’m sure the reading experience would be completely different). Yes, we have David Braddock, the British amateur detective-cum-therapist living in Thailand who decides to confront some of the issues pending in his life (he’s always reminded me of Hamlet, and I must say that like Shakespeare’s character, he can make me feel impatient at his dithering sometimes), but not others. We also have Jim Fosse, a fascinating villain, a psychopath or sociopath who is up to his old tricks and some newer ones. And we have two other characters that bring new concerns (some at least) and settings into the story. Sam Trask, an American Iraq War veteran, who has suffered physical injuries that he has mostly recovered from, but the same cannot be said for the mental scars from his experiences, and another American character, Reichenbach, who remains mostly in the shadows, and whom I suspect we haven’t seen the last of (and I’ll keep my peace and let you make your own minds up about him).
The story moves between the different characters, and although, apart from Sam’s military history it is mostly shown in chronological order, there are changes in setting and point of view, and a fair amount of characters, which require the reader to remain attentive at all times. Most of the story is told in third-person mostly from the point of view of the character involved (although I was more aware of the narrator in this book that I had been before. This was particularly evident in the parts of the story following Sam, who is not a bookish man, as evidenced by his dialogue and his backstory, but even when we are with him, we are provided insights and observation that go well beyond his psychological and cultural makeup), and the alternating points of view allow us to be privy to information that gives us more of an overall and multifaceted picture than that of any of the individual characters. However, the Jim Fosse’s fragments of the story are narrated in the first person and that makes them particularly chilling and at times difficult to read. A character with no moral compass and good brains, a master manipulator and plotter, his attitude reminded me at times of the main character in American Psycho (although more inclined to psychological mind-games than to out-and-out violence); and his role is central to most of what happens in the story, although I won’t reveal any details. He does not have any redeeming qualities (at least none than I’ve discovered yet), but he is witty, his observations can be humorous (if you appreciate dark humour) and accurate, and there is no pretence there, and no apology. He plays his part well for the public, but in private he does not hesitate or dwell on the consequences of his actions. If he wants something and it does not involve a high risk for him, he’ll go for it. And I find that refreshing indeed. No, he’s not somebody I’d like to meet (or rather, he’s not somebody in whose way I’d want to be), but he is a great character to read about.
These men (well, not so much Jim Fosse, although he does, at points, becomes obsessed with what seems to be his female counterpart) are obsessed by women, one way or another, and riddled by guilt (definitely not Fosse), be it by commission or by omission. But, if we truly look into it, these are men whose issues with women seem to hide some deep insecurity and doubts about their own selves. Sam Trask, in my opinion the most sympathetic of the characters, is an innocent abroad (he has been out of his country as a soldier but otherwise he is quite naïve to the ways of the world), without being truly innocent. He is tortured by the memory of something he witnessed. His difficulties made me wonder if guilt by omission is not even worse than true guilt. Because if you’ve done something terrible, you can tell yourself you won’t do it again, but if what happened was not of your own doing, how can you guarantee that it will not happen again? Yes, you might tell yourself that you will react differently next time, but you can never be sure you will be in a position to do so, or it will make a difference. You were, in a way, another victim of the situation but complicit in it at the same time. No wonder it is not something one can recover easily from.
As I said, I enjoyed meeting Sam, and felt for him and his difficulties. I’ve mentioned Jim Fosse, and I am curious about Reichenbach, who pulls some of the strings. I felt less close to Braddock than I had in the past. I am not sure if it was the narrative style, or the fact that he is less central to the story, appears less sharp (he missed quite a number of clues), and seems to spend an inordinate amount of time thinking about smoking. He remains intent on protecting himself and not fully confronting the truth about his relationship with this father and his own unresolved issues. I’m sure it’s a personal thing, but when he reflects on women and their role, I felt like shaking him and telling him to grow-up. I guess I’m coming more and more to Da’s (his faithful no-nonsense secretary/associate) way of thinking.
The writing is supple, suffused with psychological and philosophical insights, a great deal of understatement and fun, witty comments, and eminently quotable. One can’t help but wish to have such a witty internal narrator to accompany us in our adventures.
The mystery (there are several but all end up fitting into a complex scheme) is cleverly constructed and although as I said we, the readers, know more than any of the individual characters (thanks to the different points of view and the multiple story strands), it is not easy to guess exactly how things will be solved. Those of us who have been following the stories from the beginning might have an inkling (of course things are not as they seem, but that’s no surprise), but I don’t think many readers will get it 100% right. And that is one of the joys of the story. The vivid and multiple settings, the accurate psychological and sociological insights, and the fabulous characters and dialogues make for a fabulous read as well. This is the strong beginning of another of John Dolan’s masterful series. And I’ll be sure to keep reading it.
- Electa GrahamReviewed in Canada on December 23, 2017
5.0 out of 5 stars Thrilling Mystery
I was addicted from page one. Braddocks back and so are two other characters who cross paths in deliberate and not so deliberate ways, weaving a mystery that will keep you guessing until the end. I love a good mystery and this book did not disappoint. I'm a big fan of John Dolan's work and this might be his best novel yet. What's even better is it's Book one so there will be more on the way. Only down side was staying up much too late because I didn't want to stop reading.
- Adrian MacDonaldReviewed in Australia on December 28, 2017
5.0 out of 5 stars Similar, but different
As well as some characters who will be familiar to readers of John's previous books, Restless Earth introduces you to several new and interesting characters, some of whom are quite likeable, others of whom are despicable, but nevertheless interesting. A very enjoyable read. I look forward to reading what happens next.
- Yorkshire lassReviewed in the United Kingdom on February 2, 2023
5.0 out of 5 stars Brilliant start to the series
Whenever I can look forward to a long spell of undisturbed reading I invariably turn to one of John Dolan’s books. If it’s about PI David Braddock and his life on the Thai island of Koh Samui, so much the better.
A continuation of the previous series, Restless Earth is the first of three Children of Karma novels. Here we find David Braddock at a turning point in his life when he returns to the UK to attend his father’s funeral.
In this gripping follow-up, we encounter the familiar faces we have come to know, with the nefarious Jim Fosses centre stage. He has all the hallmarks of a sociopath, his character made all the more chilling by Dolan’s use of the first person that allows us to see into his twisted mind and read his thoughts.
A newcomer to the scene, and the antithesis of Fosse, is US veteran, Sam Trask. Traumatised from his time served in Iraq, he takes on a mission for a retired NYPD officer to monitor Fosse’s movements in Thailand.
We first meet Trask on the battleground of Iraq. True to form, the author has done his research well. The graphic descriptions of the atrocities and the constant danger that prevailed are breath-taking – no surprise that Sam Trask is plagued with PTSD!
The action shifts to Thailand where Trask and Jim Fosse eventually cross paths. When Trask disappears from the radar, his sister enlists David Braddock’s help and we follow his quest to discover what has happened to the hapless army vet. Restless Earth is yet another riveting story that held me in thrall from beginning to end.
There is something for everyone in John Dolan’s books – a dry humour, more often black but always witty...
‘It was one of those fiendish puzzles that were purchased for the elderly in retirement homes, presumably either to occupy their faculties for long stretches or to weaken their determination to go on living.’
Poetic passages...
‘The wood directly ahead of him flowed down a hillside, twisting to the left, like a wilful river of foliage carving out a sentient path through the landscape.’
Clever little metaphors that, despite being brief, say a lot about the main characters, an example being his description of the middle-class inhabitants of the village where David Braddock’s late father lived...
‘An obsession with English heritage clogged their veins like some cultural embalming fluid.’
And always... Action-packed plots that entail travel to exotic places. What’s not to love about Dolan’s writing? I’m now looking forward to reading the 2nd and 3rd novels in this series, knowing they won’t disappoint. 5*