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The Summer that Melted Everything

St. Martin's Press

Of Man's first disobedience, and the fruit
Of that forbidden tree whose mortal taste
Brought death into the World

— MILTON, PARADISE LOST 1:1–3

The heat came with the devil. It was the summer of 1984, and while the devil had been invited, the heat had not. It should've been expected, though. Heat is, after all, the devil's name, and when's the last time you left home without yours?

It was a heat that didn't just melt tangible things like ice, chocolate, Popsicles. It melted all the intangibles too. Fear, faith, anger, and those long-trusted templates of common sense. It melted lives as well, leaving futures to be slung with the dirt of the gravedigger's shovel.

I was thirteen when it all happened. An age that saw me both overwhelmed and altered by life in a way I'd never been before. I haven't been thirteen in a long time. If I were a man who still celebrated his birthday, there would be eighty-four flames flickering above the cake, above this life and its frightening genius, its inescapable tragedy, its summer of teeth that opened wide and consumed the little universe we called Breathed, Ohio.

I will say that 1984 was a year that understood how to make history. Apple launched its Macintosh computer for the masses, two astronauts walked the stars like gods, and singer Marvin Gaye, who sang about how sweet it was to be loved, was shot through the heart and killed by his father.

In May of that year, a group of scientists published their research in a scientific journal, revealing how they had isolated and identified a retrovirus that would come to be called HIV. They confidently concluded in their papers that HIV was responsible for the acquired immune deficiency syndrome. AIDS, as the nightmares say.

Yes, 1984 was a year about news. It was the year Michael Jackson would burn for Pepsi, and the Bubble Boy of Houston, Texas, would come out of his plastic prison, be touched by his mother for the very first time, and moments later die at just twelve years of age.

Overall, the 1980s would prove industrious years for the devil. It was a time you couldn't just quit the horns. Satanic cult hysteria was at its height, and it stood tall. Fear was a square that decade so it could fit into our homes better, into our neat little four-cornered lives.

If a carton of milk turned over, the devil did it. If a kid showed bruises, he'd be put in therapy immediately to confess how his own parents had molested him around a bonfire while wearing black robes.

Look no further than the McMartin Preschool investigation, which started in '84 and ended with fantastical allegations of children being flushed down toilets and abused by Chuck Norris. While these allegations eventually would be flushed down the toilet themselves, that time of panic would always be remembered as the moment when the bright, bright stars could not save the dark, dark sky.

Breathed's own devil would come differently. The man who invited him was my father, Autopsy Bliss. Autopsy is an acutely strange name for a man to have, but his mother was an acutely strange woman. Even more, she was an acutely strange religious woman who used the Bible as a stethoscope to hear the pulse of the devil in the world around her.

The sounds could be anything: The wind knocking over a tin can. The clicking of rain on the windowpane. The erratic heartbeat of a jogger passing by.

Sometimes the things we believe we hear are really just our own shifting needs. Grandmother needed to hear the spook of the snake so she could better believe it actually existed.

She was a determined woman who pickled lemons, knew her way around a tool box, and raised a son by herself, all while earning a degree in ancient studies. She had the ancients in mind when she named her son.

She would say, "The word autopsy is a relative of the word autopsia, which in the ancient vernacular of the Greeks means to see for oneself. In the amphitheater of the great beyond, we all do our own autopsies. These self-imposed autopsies are done not on the physical body of our being but on the spirit of it. We call these ultimate examinations the autopsy of the soul."

After the summer ended, I asked my father why he had invited the devil.

"Because I wanted to see for myself," he answered with the definition of his name, his words doing their best to swerve his tears lest they be drowned on impact. "To see for myself."

Growing up, my father was the wood in his mother's lathe, held in place and carefully shaped over the years by her faith. When he was thirteen, his edges nearly smoothed, the lathe suddenly stopped turning, all because his mother slipped on the linoleum floor in their kitchen and fell backward with no parachute.

The bruises would come to look like pale plums on her flesh. And while not one bone had been broken, a spiritual break did occur.

As Dad helped her to her feet, she let go of a moan she'd been holding. Then, in a giddy woe, she dropped her knees back to the linoleum.

"He wasn't there," she cried.

"Who wasn't there?" Dad asked, her shaking contagious to him.

"As I was falling, I reached out my hand." She made again the gesture of that very thing. "He didn't grab it."

"I tried, Momma."

"Yes." She cupped his cheeks in her clammy palms. "But God didn't. I realize now we're all alone, kiddo."

She took the crucifixes off the walls, buried her Bible in the infant section of the cemetery, and never again poured her knees down to the ground in prayer. Her faith was a sudden and complete loss. Dad still had the fumes of his faith left, and in those fumes, he found himself one day walking into the courthouse, where his mother was getting reprimanded by the judge for unabashedly vandalizing the church — the second time.

While Dad waited outside her courtroom, he heard voices a few doors down. He went in and sat through the trial of a man accused of pulling out a shotgun at the coin laundry, leaving bloodstains that couldn't be washed out.

To Dad that man was the devil emerged and the courtroom was God's filter removing that emergence from society. As he stood there, Dad could see tiny breaks in the courtroom wall. The holes of a net through which a bright, warm light shone, pure and glorious. It was a light that made him want to stand and shout Amen until he was hoarse.

While his soul had before paced back and forth from doubt to belief, on that day in the courtroom, his soul settled on believing. If not in everything else, then at least in that filter, that instrument of purity. And the handler of that filter, in Dad's eyes, the person who made sure everything went the very best of ways, was the prosecutor. The one responsible for making sure the devils of the world are trapped by the filter.

Dad sat there in the courtroom, hands shaking, his feet swinging just above the floor they were too short to reach. When the guilty verdict came, he joined in the applause as he smelled a whiff of bleach that he associated not with the janitor in the hallway but rather with the filth trapped by the filter and the world being cleaner for it.

The courtroom emptied until only Dad and the prosecutor remained.

Dad sat on the bench, wide-eyed and waiting.

"So you are who I heard." The prosecutor's voice was like a pristine preaching to Dad.

"How could you have heard me, sir?" Dad asked in pure awe.

"You were so loud."

"But, sir, I didn't say a dang thing."

The prosecutor laughed like it was the funniest thing he had ever heard. "And in that silence, you said it all. Why, you were as loud as shine on chrome, bright and boisterous in that silent gleam. And such loud boys will grow to be loud men who are meant to be in the courtroom, but never — no, not ever — as the ones in handcuffs."

That was the moment Dad knew he himself would become a handler of the filter. And while his mother never regained her faith, he kept his in the courtroom and in the trials of humanity and, most important, in that filter.

They said he was one of the best prosecuting attorneys the state had ever seen. Yet there was something unsettled about my father. Handling the filter did not prove to be an exact science. Many times after winning a case, he would escape from the applause and congratulatory pats on the back to come home and sit quietly with his eyes squinted. That was how you knew he was thinking. Squinted eyes, arms folded, legs crossed.

It was on one such night that he uncrossed his legs, unfolded his arms, and widened his eyes, in that order. Then he stood, rather certain as he grabbed a pen and a piece of paper. He began to write what would end up being an invitation to the devil.

It was the first day of summer when that invitation was published in our town's newspaper, The Breathanian. We were eating breakfast, and Mom had laid the paper in the middle of the table. With morning milk dribbling down our chins, we stared at the invitation, which had made the front page. Mom told Dad he was too audacious for his own good. She was right. Even the atheists had to admit it took a fearless man to audition the existence of the Prince of Darkness.

I still have that invitation around here somewhere. Everything seems so piled up nowadays. Hills all around me, from the soft mounds of laundry to the dishes in the sink. The trash pile is already waisthigh. I walk through these fields of empty frozen dinner trays and beer bottles the way I used to walk through fields of tall grass and wildflowers.

An old man living alone is no keeper of elegance. The outside world is no help. I keep getting these coupons for hearing aids. They send them in gray envelopes that pile like storm clouds on my table. Thunder, thunder, boom, boom, and there the invitation is under it all, like a bolt of lightning from the sky.

Dear Mr. Devil, Sir Satan, Lord Lucifer, and all other crosses you bear,

I cordially invite you to Breathed, Ohio. Land of hills and hay bales, of sinners and forgivers.

May you come in peace.

With great faith, Autopsy Bliss

I never thought we'd get an answer to that invitation. At the time, I wasn't even sure I believed in God or His antonym. If I had come upon a yard sale selling what was purported to be the true Veil of Veronica beside a bent Hula-Hoop, well, I was the type of boy who would have bought the Hula-Hoop, even if the veil was free.

If the devil was going to come, I expected to see the myth of him. A demon with an asphalt shine. He'd be fury. A chill. A bad cough. Cujo at the car window, a ticket at the Creepshow booth, a leap into the depth of night.

I imagined him with reptilian skin in a suit whose burning lapel set off fire alarms. His fingernails sharp as shark teeth and cannibals in ten different ways. Snakes on him like tar. Flies buzzing around him like an odd sense of humor. There would be hooves, horns, pitchforks. Maybe a goatee.

This is what I thought he'd be. A spectacular fright. I was wrong. I had made the mistake of hearing the word devil and immediately imagined horns. But did you know that in Wisconsin, there is a lake, a wondrous lake, called Devil? In Wyoming, there is a magnificent intrusion of rock named after the same. There is even a most spectacular breed of praying mantis known as Devil's Flower. And a flower, in the genus Crocosmia, known simply as Lucifer.

Why, upon hearing the word devil, did I just imagine the monster? Why did I fail to see a lake? A flower growing by that lake? A mantis praying on the very top of a rock?

A foolish mistake, it is, to expect the beast, because sometimes, sometimes, it is the flower's turn to own the name.

... a flower which once
in Paradise, fast by the Tree of Life,
Began to bloom

— MILTON, PARADISE LOST 3:353–355

I once heard someone refer to Breathed as the scar of the paradise we lost. So it was in many ways, a place with a perfect wound just below the surface.

It was a resting in the southern low of Ohio, in the foothills of the Appalachian Mountains, where each porch had an orchard of small talk and rocking chairs, where cigarette tongues flapped over glasses of lemonade. They said the wooded hills were the fence God Himself built for us. Hills I always thought were the busiest hills in all the world. Busy rising and rolling and surrounding.

One hill could be a pine grove, quick to height and like steeples of the original church. While on another hill, you'd find meadows where grapevines hung on the edges like fallen telephone wires you could swing on with the sparks.

Sandstone was as mountain as the hills got. The sandstone rocks all seemed to remind folks of something, and so were given names like the Grinning Ass, Slain Turtle, and Betting Dragon. You could see images in any of the rock formations. More than that, you could find fossils of the past residents, like lizards and them bugs with all those ridges on the sides.

The rocks were especially outstanding on the sides of the hills where they would ledge out and cliff off with mossy turns. The trees would grow out on those ledges, their roots dangling between the crevices of rock. We all called them roots Praying Snakes. There was just something about the way they slithered across the rocks and dangled like they had a chance.

Summer in Breathed was my favorite season of all. Nothing but barefoot boys and grass-stained girls flowering beneath the trees. My favorite summer sight was those trees. Whether up in the hills or down around the houses, trees were Breathed. Some were old, and they squatted, clothed in heavy moss and time like they were enduring Neanderthals who should not still exist. Others were timelessly modern, smooth and lean and familiars to twine.

Trees were Breathed, but so were the factories — plenty of factories making everything from clothespins to camping tents. There was a coal mine at the eastern side of town and a rock quarry at the western. Fishing and swimming and baptisms could be had in the wide and deep Breathed River that eventually met up with the Ohio and from there the great Mississippi with all its fine strength and slipping song.

If you drove anywhere or walked anywhere in Breathed, you did so on lanes. Never streets, never roads, but dirt-laid lanes that each had their own story. Paved roads were something other towns did. Breathed hung onto its dirt, in more ways than one. Not even Main Lane, the main artery of the town, had been paved, though it was lined with trees and brick sidewalks that fed into brick buildings.

From Main Lane, the town unfurled into lanes of houses, and eventually lanes of farms, the farther out you got. Breathed was the combination of flower and weed, of the overgrown and the mowed. It was Appalachian country, as only Southern Ohio can be, and it was beautiful as a sunbeam in waist-high grass.

It was a good town for a boy to have come of age in. There was a small movie theater, where I had my first kiss while E.T. flew in front of the moon, and a pizza parlor with arcade games I would play until my eyes hurt from the bright, flashing screens. Most days, though, were spent on the tire swing over the river or tossing a baseball back and forth with my brother. In these moments, the gild receded and life was its most naked bliss.

What I've just described is the town of my heart, not necessarily the town itself, which had an underbelly that knew how to be of mood with the mud. Just as in every other small town and big city, the women cried and the men knew how to shout. Dogs were beat, children too. There weren't always mothers to bloom identical to the rose, and more often than not, there was no picket fence to paint.

Yes, Breathed was the scar of paradise lost, and beneath the flour-and-butter drawl, there was the town's own sort of sibilant hiss on the wind, which made you quiet and made you sense snakes.

They say I was the first one in all of Breathed to see him. I always wondered about that. If maybe I wasn't the first one to see him, but just the first one to stop.

As I walked, I could hear the song "Cruel Summer" blaring from a boom box from the open windows of a house that smelled like rhubarb pie and Aqua Net. That was the strange collision of the decade and our small town. A crash of gingham curtains and spandex miniskirts.

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Excerpted from The Summer that Melted Everything by Tiffany McDaniel. Copyright © 2016 Tiffany McDaniel. Excerpted by permission of St. Martin's Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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