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What Gets Left Behind Kindle Edition
Local girls went missing.
And two boys made a terrifying discovery.
Now one of them has come home, to try and lay the past to rest.
Originally published as a limited edition chapbook (which sold out four months prior to publication) by the acclaimed independent Spectral Press in 2012, this edition includes an exclusive afterword where West explains the origin of the story.
What others had to say about “What Gets Left Behind”…
"Very strong writing and with a nice evocation of time and place.”
- Gary McMahon, author of "The Concrete Grove" trilogy
"Mark West has a knack for making the bonds that bind friends and family tangible and very
real.”
- Ian Whates, author of “City Of Dreams & Nightmare” and “The Noise Within”
“If you love the terror of good horror then there’s plenty for you in this slow-burner.”
- Sue Moorcroft, author of “All That Mullarkey” and “The Wedding Proposal”
“Mark West’s writing has a heart and soul that many writers would kill for.”
- Jim McLeod, at Ginger Nuts Of Horror
“[The] story is universal in appeal and, the specific peculiarities of the East Midlands setting notwithstanding, will strike a resonant chord in nearly everyone. [A] vivid and welcome addition to the Spectral chapbook line-up.”
- Walt Hicks, at Hellbound Times
“What Gets Left Behind is a spine-tingling tale that will play on your mind for some time after you’ve put it down.”
- Adam Millard, at This Is Horror
“What Gets Left Behind’s core is as much emotional as horrific; although the horror, when it comes, is gripping and effective.”
- James Everington, at Scattershot Writing
“What Gets Left Behind is a sad and spooky tale about the loss of a childhood friend and the haunting, both metaphorical and literal, of the survivor.”
- Marc Nocerino, at She Never Slept
“Full of atmosphere and aching with a sense of nostalgia and missed opportunities, What Gets Left Behind is a chilling and moving story of regret.”
Paul D. Brazill, at “You Would Say That, Wouldn’t You?”
- LanguageEnglish
- Publication dateApril 1, 2015
- File size603 KB
Product details
- ASIN : B00VK431HO
- Publisher : PenMan Press
- Accessibility : Learn more
- Publication date : April 1, 2015
- Language : English
- File size : 603 KB
- Simultaneous device usage : Unlimited
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Print length : 40 pages
- Page Flip : Enabled
- Customer Reviews:
About the author

Dad, husband, son, brother - I write fiction, I read, I watch films, I walk a lot and I'm a crack shot with a Nerf gun. Newly converted park runner...
A KILLER AMONGST US is his fifth thriller from The Book Folks following the best-selling DON'T GO BACK, ONLY WATCHING YOU, THE HUNTER'S QUARRY and STILL WATERS RUN.
He can be contacted through his website at www.markwest.org.uk, on Facebook at MarkWestWrites and is also on Twitter as @MarkEWest
Customer reviews
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Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
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Learn more how customers reviews work on AmazonTop reviews from the United States
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- Reviewed in the United States on February 11, 2016I may not have grown up in England in the 80s, but I very well could have from reading this gem. Growing up in rural Canada during that decade, the last decade really before the information age found its footing, killers and predators were like urban legends: they existed on the six o'clock news and to hear there was one locally was like discovering there was a Sasquatch in the backyard. There is a sense of that in Mark West's What Gets Left Behind, as two young boys revel in the idea of a serial killer lurking in their hometown, yet still venture outside in parks and back lots for their own adventures.
The atmosphere of early 80s, small town Britain is captured about as crisply as one could ask for. Despite a few mentions of local trivia, this Canadian was able to get swept right up in the tale.
While the story begins in present day, its heart lies in 1981, when a serial killer called the Rainy Day Abductor stalked the town of Gaffney. Mike and his best friend, Geoff, are undaunted by this threat, since the killer seems to focus on young women, and only when it rains. Following a downpour, the boys are sent outside to play--a near foreign concept in present day--and run afoul of their schoolyard bully. In a dash for their lives, they hole up in an abandoned building only to discover they are not alone.
The first act of the story took a little bit in getting off the ground, but it did create an immersive backdrop and really took off once the story delved back to the fateful day in Mike's childhood. Perhaps nostalgia was the flypaper to my buzzing imagination, but whatever the case I was hooked by this story, as my memories of gallivanting through the woods with friends flooded back. The boyish mix of naivety and intrepidness came through with remarkable clarity, to the point that it rivals any Stephen King yarn like The Body.
Top reviews from other countries
- Adrian ShotboltReviewed in Australia on May 6, 2015
4.0 out of 5 stars Don't leave Mark West behind
This has all the great elements of a top ghost short. I liked this a lot. It builds really nicely to a great, scary climax. I shall be reading more from Mr West in the future. 4 stars.
- J. EveringtonReviewed in the United Kingdom on April 7, 2015
5.0 out of 5 stars What Gets Left Behind
What Gets Left Behind is the third Mark West story I've read and possibly the best, although on an even-numbered day I might give that accolade to The Mill - a novella which has some similarities to this work.
The story is partially set in the 80s and partially in the present; the central character Mike Bergen has returned to the town where he spent his childhood, during which time a serial killer stalked local girls. West's evocation of the 80s is note-perfect - not just in the period details like Star Wars t-shirts and Noel Edmonds (and excitingly for this reader East Midlands Today!) but in the recreation of a time when no one had mobile phones and kids played outside at "the Rec" because there was nothing else to do. West is a more realistic writer than someone like Ramsey Campbell (whose realism is shot through with subjectivity) and there is a simplicity and clarity to his prose that's probably hard won. It certainly fits this story.
Like The Mill, What Gets Left Behind's core is as much emotional as horrific; although the horror, when it comes, is gripping and effective. I particularly liked the switches between the two time-frames, a device which reminded me of Stephen King's IT. The sense of history repeating itself, of the past not being over but haunting Mike's present is excellently done.