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The Former Chief Executive Paperback – May 18, 2017

3.1 out of 5 stars 32 ratings

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Do you blame her?

Deborah was a respected hospital manager until a tragedy forced her into retirement. Hounded by the media, then bereaved, she is brittle and reserved.

Luca was in prison, now he has hope – a family, a home and the chance to take on Deborah’s garden, neglected since her husband’s death.

Luca, with his youth and grace, has an uncanny ability to know what Deborah needs. He makes the garden live again. Deborah increasingly depends on him. But the past hasn’t gone away. Luca’s new life is under threat, and some people can’t forgive what Deborah did.

As events escalate, they are both forced to ask, who can you trust?

Praise for The Former Chief Executive

'A taut psychological study of grief, secrets and trying to leave behind your past. Its dark, slightly chilling atmosphere reminded me at times of the books written by Ruth Rendell under the pen name Barbara Vine' -
What Cathy Read Next

'This is a well-crafted and enjoyable read. The restrained tone is deceiving - there is a great deal going on here, a lot of it seething away under the surface. The author shows a great amount of skill in resisting the temptation to let everything bubble over'
- Alison Williams blog

'A good, clever read, incorporating many layers'
- Ashrae, top 500 Amazon reviewer

'Each character, even the seemingly most shallow, has skeletons in their closet that gradually come out, rendering the situation between them increasingly fraught as the plot progresses'
- EP Clark blog

'A gently written novel which drew me in so completely that I wasn't consciously aware of the subtle tension build-up, only that I really didn't want to stop reading'
- Literary Flits

'The Former Chief Executive is a clever and thought-provoking literary read'
- Hair Past a Freckle


"Layla" by Colleen Hoover for $7.19
From #1 New York Times bestselling author Colleen Hoover comes a novel that explores life after tragedy and the enduring spirit of love. | Learn more

Product details

  • Publisher ‏ : ‎ CreateSpace Independent Publishing Platform
  • Publication date ‏ : ‎ May 18, 2017
  • Language ‏ : ‎ English
  • Print length ‏ : ‎ 194 pages
  • ISBN-10 ‏ : ‎ 1545579466
  • ISBN-13 ‏ : ‎ 978-1545579466
  • Item Weight ‏ : ‎ 9.6 ounces
  • Dimensions ‏ : ‎ 5 x 0.49 x 8 inches
  • Customer Reviews:
    3.1 out of 5 stars 32 ratings

About the author

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Kate Vane
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I worked as a probation officer in Leeds for a number of years. I started writing crime fiction because I thought made-up criminals would be easier to manage (I was wrong).

As well as writing novels, I have written for BBC drama Doctors and my short stories and articles have appeared in various publications and anthologies, including Mslexia and Scotland on Sunday.

I’ve always loved the sea, and now live on the beautiful south Devon coast. If I’m not reading or writing, I’m probably in the garden.

*

For the latest on my writing, go to katevane.com where you can sign up for my newsletter.

Customer reviews

3.1 out of 5 stars
32 global ratings

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Top reviews from the United States

  • Reviewed in the United States on May 30, 2017
    In this book we meet Deborah. She is the Former Chief Executive of an NHS Trust. Something went a bit sour for her in her job so, on leaving, she changed her name to escape the backlash. She, along with her husband, Peter, also moved away, to a lovely bungalow with a fabulous garden which Peter carefully and lovingly tended. Now widowed only several months after moving, Deborah needs someone to help her in the garden so she signs up for the local garden share scheme. Enter Luca, the young man she has been paired with. An ex-con with a zero hours work contract, a girlfriend with a baby, and another on the way. Initially chalk and cheese, this book follows Deborah and Luca as they start to open up to each other. Despite all the ways they differ, they find so many similarities and connections. Sharing pasts, connecting in the present, moving forward into the future. But what will that future hold for the both of them? And just where does neighbour Maureen fit into it all?
    This is not a long book, but it contains so much. A tad political in places, sometimes quite topical, but all within the bounds of the storyline so not a all preachy. Pacing is steady throughout; the "action" being more cerebral rather than physical as we see glimpses into the lives of all involved.
    The main characters and the supporting cast are all very well drawn and were easy for me to connect with. Yes, of course there were some I liked more than others and the odd one I just despised but hey, that's life. As long as I connect with a character, it doesn't have to be positive. I'm also a bit of a fan of people who shouldn't get on but, despite all the obvious differences between them and the many reasons that the relationship shouldn't work, they just click. Deborah and Luca are two such people but I was fascinated at how their relationship developed. Sometimes amused, other times shocked as I watched the bond between them form. On the flip side I wasn't very enamoured of both Belle's and Eleanor's behaviours throughout but, as already mentioned, they did get my juices going, albeit it in a negative way, so the connection there held firm too.
    The ending is all sorts of interesting but follows nicely on from the rest of the narrative. That's pretty much all I can say without giving anything else away and I am of course loathed to do that.
    All in all, this was a very satisfying read for me. If you want a good, clever read, incorporating many layers, played out by a cast of interesting and well drawn characters which, at the conclusion, will stay with you a while as you digest it all fully then maybe give this book a whirl.
    One person found this helpful
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  • Reviewed in the United States on October 9, 2017
    Deborah makes a deal with Luca to share her garden and take care of her flowers. She befriends him, to the disdain of his girlfriend and her daughter, Eleanor. Deborah and her daughter have a strained relationship, but in the end, she is still her daughter. I received a copy of this book for an honest review.
  • Reviewed in the United States on December 14, 2017
    This was a difficult book to get into I did not find it absorbing at all.
    One person found this helpful
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  • Reviewed in the United States on June 8, 2017
    Don’t be misled by the title – this isn’t the memoir of a former management high-flier or a self-improvement book, it’s a taut psychological study of grief, secrets and trying to leave behind your past. Its dark, slightly chilling atmosphere reminded me at times of the books written by Ruth Rendell under the pen name Barbara Vine.

    Deborah and her husband, Peter, had planned their retirement together, moving to a bungalow near the sea where Peter could indulge his love of gardening. Those plans were cruelly thwarted by Peter’s cancer diagnosis and swift demise. Now Deborah finds herself alone, with only unhappy memories and regrets for company.

    ‘Deborah looked around at the emptiness, and listened to the quiet, the percussive thrum of electrical appliances and thought, this is it, this is my life now.’

    I was moved by the author’s insightful and affecting depiction of Deborah’s grief and her sense of loss and displacement following bereavement.

    ‘So it was only really with Peter that she had felt she could be herself. Be yourself. Whatever did that mean? If she could only be herself with Peter, who was she now? No one, she thought. A husk.’

    What makes the situation worse for Deborah is the contrast between her life before as a successful senior manager and the emptiness she feels now.

    ‘She had been a mouse on a wheel that was spinning very fast. A mouse who happened to be a good runner. Now the wheel was broken.’

    And there are hints of an event in Deborah’s past – a decision she took that had tragic consequences and which led to her being vilified in the press. Despite moving to a new area and changing her surname, Deborah still lives with the nagging fear that she will be recognised and it will start all over again.

    Enter Luca, to tend the garden Peter loved, as part of a community rehabilitation scheme. I have to say at this point that, as a gardener myself, I loved the way the author presents gardening as a therapeutic activity, both physically and mentally. Luca is also trying to put his past behind him and move forward with his life. He’s an intriguing figure, with an almost mystical aspect to his character that contributes to the unsettling atmosphere of the book. Luca seems to be able to sense instinctively the needs of others and feel drawn to help them.

    When Deborah’s daughter, Eleanor, comes to stay, she is surprised her mother has made no attempt to find out more about Luca’s past. Deborah is reluctant to do so – after all, he hasn’t asked about hers. I won’t say much more for fear of spoiling other readers’ enjoyment. Whilst not exactly a thriller, the author nonetheless creates a feeling of suspense as secrets gradually emerge and events take an unexpected turn in a way I had definitely not anticipated.

    I was really impressed with this book. The assured writing really made the characters come alive in a way that was credible and it had a dark, intense feel to it that made you want to read on. I also love the gorgeous cover.
    3 people found this helpful
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  • Reviewed in the United States on October 12, 2017
    I wanted more explanation of the conclusion.

Top reviews from other countries

  • Ruth
    5.0 out of 5 stars The Former Chief Executive
    Reviewed in the United Kingdom on June 24, 2017
    I really enjoyed this book, strangely, as the general theme is death and the sense of loss felt by the main character whose husband has recently died. I found myself taking on Deborah’s moods as we weaved through the story from being sad with her to feeling her pain from migraine. So much was hidden that was revealed as we moved through the book, not least the reason for the title. Her relationship with Luca is interesting as is her relationship with her daughter and the dilemma in which Deborah finds herself when having to choose where her loyalty lies. I think this book is beautifully written and whilst covering themes of everyday life in a very gentle way, intense emotions can be felt bubbling under the surface. I look forward to the next book from this author.
  • Brooke Fieldhouse
    4.0 out of 5 stars I was impressed with the construction of this novel, designed to emphasize past and present.
    Reviewed in the United Kingdom on August 25, 2018
    As I was wondering which of ‘The Seven Basic Plots’ might apply to Kate Vane’s novel The Former Chief Executive, I’d hoped – well pretty much decided while reading - that it was ‘taming the monster’, or ‘rebirth’. But by the time I’d finished, I’d realised that it’s an unashamed tragedy in which the author unfolds the story in a particularly hyper-perceptive way. This is how.
    Deborah is the former executive, hiding from public outrage following a national scandal. The other main protagonist is Luca, Deborah’s ‘Jesus’- like gardener, an ex-offender making a brave and mindful effort to reinvent himself. Deborah’s life has plunged further into crisis with the recent death of husband Peter - her voice of reason. There are three other principle characters; Maureen, Deborah’s pathetically-vain next-door neighbour who is facing terminal illness but in doing so has formed a professional partnership with Luca who is training to be a death midwife - because he’s ‘a good listener.’ The other two ingredients of this character mixture are; Luca’s domestic partner Belle, sullen, pregnant – with Luca’s (?) child – and a voice always on the edge of bigotry, and there’s also Deborah’s thirty-something daughter Eleanor, an unapologetic daddy’s-girl, equipped with all the verbal smart-arsery associated with that status. I don’t wish to make a becoming comparison with which other readers might disagree, but the relationship between mother and daughter puts me in mind of that depicted in Anita Brookner’s Hotel du Lac, though the outcome in Vane’s novel is considerably more serious – in fact, I can practically guarantee that your blood will boil.
    It's a Sit Trage, and the situation is already well and truly set. The author less develops characters and plot, more - strategically - removes the lid from the simmering pan allowing the reader to peer in.
    What shocked me about the world that the reader enters into, is its hermetic separation from the world of culture, creation and recreation. There’s a brief reference to Polly Toynbee, and the Today programme, but for the most part everything seems to be joylessly controlled by ‘systems’ and ‘procedures’. People are ‘facilitators not leaders,’ and ‘…in their world you didn’t need to socialise to be close. For them, work was real life.’ There’s a profusion of acronyms; DBS, CEO, PA, NICU, NHS, HR, GP, A&E, DNR, IT, VIP, TM; even plodding old WD40 gets a mention. There’re ‘frontline offices’, stats, closure, government cuts, wellness clinics, therapy, housing schemes, case studies, McDonalds, and there’s no escape from ‘the bleak percussion of machines’. The author has given the reader a dystopian atmosphere where characters seem less to be free to inhabit and interact with their environments, more forced to be automatons spot-lit against props. For instance, the house Belle shares with her mother Cara, Luca and her father’s stepson Lee, seems to consist of little more than a sofa, TV and somewhere to slash open a bag of frozen chips. Deborah also is seen against the stark backdrop of ‘a downstairs loo - which isn’t because it’s a bungalow’ - and a troublesome tap for Luca to fix. There’s a town, a café, yet they only exist as stirring pots for embarrassing encounter, rumour and humiliation. In exquisite contrast, Deborah’s garden appears to be a refuge, there’s lavender, thyme, lemon balm, orange-headed sage, Californian poppies, gazanias, lupins and delphiniums. Symbols of an optimism which is perhaps too much to hope for?
    When Deborah’s nemesis appears in the form of whistle blower Mina, Deborah is revealed as a person who always makes sure she gets her adversary doing things Deborah’s way. There’s a brief but compelling foray into Buddhism and Jungian metaphysics, but for the most part the two of them sound remarkably like role-players on an assertiveness training course. And if you think there’s a streak of manipulation about Deborah then, it’s nothing compared to what comes in the final scene! Mind you, as Flaubert once said; ‘there is no truth, only another person’s perception,’ so maybe there is hope after the final scene!
    I was impressed by the construction of this novel. Deborah’s chapters are all in the past tense she’s trying to escape, while Luca’s point of view is always the present in which he’s mindfully trying to stay. As the climax nears, the chapters become somehow ominously short. Thoughtfully and skilfully explored as it is, I nevertheless ended up questioning whether the prose novel is the ideal ultimate form of expression for this series of psychologically-tanglesome confrontations set against their totalitarian backdrop, and I would welcome seeing it developed as a television or stage play.
  • LeslieTKD
    5.0 out of 5 stars I found that I particularly liked the attention to details (horticultural and otherwise) throughout the ...
    Reviewed in the United Kingdom on July 30, 2017
    This book explores how the past affects our present along with other themes such as loss and relationships in families. Although I was interested to see the characters' stories unfold as the book progressed, I found that I particularly liked the attention to details (horticultural and otherwise) throughout the book. It is a finely crafted on many levels and worth reading.
  • Anne Goodwin
    4.0 out of 5 stars I warmed to this book from the start
    Reviewed in the United Kingdom on December 13, 2020
    Kate Vane so credibly portrays the setting, I could easily imagine stepping out of my house into Deborah’s garden instead of my own. The characters and plot intrigued me, and the prose is delightfully unfussy, with witty and carefully-chosen metaphors.