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The Children Act Kindle Edition
One of the Best Books of the Year: The Washington Post, NPR, Vogue, BookRiot
“Fantastically pleasurable.... Anything we want a novelist to do, he can do.... Unsurpassable.” —Chicago Tribune
Fiona Maye is a leading High Court judge who presides over cases in the family division. She is renowned for her fierce intelligence, exactitude, and sensitivity. But her professional success belies private sorrow and domestic strife. There is the lingering regret of her childlessness, and now her marriage of thirty years is in crisis.
At the same time, she is called on to try an urgent case: Adam, a beautiful seventeen-year-old boy, is refusing for religious reasons the medical treatment that could save his life, and his devout parents echo his wishes. Time is running out. Should the secular court overrule sincerely expressed faith? In the course of reaching a decision, Fiona visits Adam in the hospital—an encounter that stirs long-buried feelings in her and powerful new emotions in the boy. Her judgment has momentous consequences for them both.
- LanguageEnglish
- PublisherAnchor
- Publication dateSeptember 9, 2014
- File size3.0 MB
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Editorial Reviews
Review
“Fantastically pleasurable.... Anything we want a novelist to do, he can do.... Unsurpassable.” —Chicago Tribune
“A svelte novel as crisp and spotless as a priest’s collar.... Another notable volume from one of the finest writers alive.” —The Washington Post
“Masterful.... Begins with the briskness of a legal brief written by a brilliant mind, and concludes with a gracefulness found in the work of few other writers.” —Meg Wolitzer, NPR
“Powerful.... Convincingly presents a complex woman in all her nuances.... A paragon becomes all too human in this aching tale.” —New York Daily News
“The first thing to do about Ian McEwan is stipulate his mastery. Anything we want a novelist to do, he can do, has done. His books are fantastically pleasurable. Their plots click forward, the characters lifted into real being by his gliding, edgeless, observant, devastating prose—his faultless prose.... Every novelistic mode is at his command, from the dark fabulism of The Child in Time to the vibrant sweep of Atonement to the modest but beautiful realism of his more recent work, On Chesil Beach, Saturday, Solar.” —Chicago Tribune
“Highly subtle and page-turningly dramatic.... Only a master could manage, in barely over 200 pages, to engage so many ideas, leaving nothing neatly answered.” —The Boston Globe
“It’s a joy to welcome The Children Act.... [The novel’s] sense of life-and-death urgency never wavers.... Profound.... You would have to go back to Saturday or Atonement to find scenes of equivalent intensity and emotional investment.” —The Wall Street Journal
“McEwan here crafts a taut morality tale in crystalline sentences.” —O, The Oprah Magazine
“A quietly exhilarating book.... Reveals an uncanny genius for plucking a resonant subject from the pages of lifestyle journalism and teasing it out into full scenes and then pressing them hard for their larger, enduring meanings.” —Los Angeles Times
“Powerful.... Heartbreaking and profound.... Skillfully juxtaposes the dilemmas of ordinary life and tabloid-ready controversy.” —People
“Smart and elegant.... Reminds us just how messy life can be and how the justice system, despite the best of intentions and the best of minds, doesn’t always deliver justice.” —USA Today
“A finely written, engaging read.... Poignant, challenging, and lyrical.” —The Huffington Post
“Haunting.... [A] brief but substantial addition to the author’s oeuvre.” —Entertainment Weekly, A-
“One of the most extraordinary, powerful, moving reading experiences of my life.... An utterly remarkable novel, delicately balanced, perfectly crafted, beautifully written.” —Alberto Manguel, author of A History of Reading
“Captivating.... Achingly romantic.... Entertain[s] some messy dualities: the limits of the law and the expansiveness of humanity, youth and age, guilt and innocence, the confines of religion and the boundlessness of free thought.” —The Houston Chronicle
“Fascinatingly complex and finally heartbreaking.... A quite beautiful work of fiction.” —The Times (London)
“Masterly.... As one begins an Ian McEwan novel—this is his 13th—one feels an immediate pleasure in returning to prose of uncommon clarity, unshowiness and control.... The best novel he has written since On Chesil Beach.” —The Guardian (London)
“As ever, McEwan achieves the rich, fine-grained realistic texture that makes his novels, sentence by sentence, a pleasure to read.” —The London Review of Books
“Swift and compelling, asking to be read in a single sitting.... So skillfully composed and fluently performed, it’s a pleasure from start to finish, one not to be interrupted.’ —Evening Standard (London)
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
London. Trinity term one week old. Implacable June weather. Fiona Maye, a High Court judge, at home on Sunday evening, supine on a chaise longue, staring past her stockinged feet toward the end of the room, toward a partial view of recessed bookshelves by the fireplace and, to one side, by a tall window, a tiny Renoir lithograph of a bather, bought by her thirty years ago for fifty pounds. Probably a fake. Below it, centered on a round walnut table, a blue vase. No memory of how she came by it. Nor when she last put flowers in it. The fireplace not lit in a year. Blackened raindrops falling irregularly into the grate with a ticking sound against balled-up yellowing newsprint. A Bokhara rug spread on wide polished floorboards. Looming at the edge of vision, a baby grand piano bearing silver-framed family photos on its deep black shine. On the floor by the chaise longue, within her reach, the draft of a judgment. And Fiona was on her back, wishing all this stuff at the bottom of the sea.
In her hand was her second Scotch and water. She was feeling shaky, still recovering from a bad moment with her husband. She rarely drank, but the Talisker and tap water was a balm, and she thought she might cross the room to the sideboard for a third. Less Scotch, more water, for she was in court tomorrow and she was duty judge now, available for any sudden demand, even as she lay recuperating. He had made a shocking declaration and placed an impossible burden on her. For the first time in years, she had actually shouted, and some faint echo still resounded in her ears. "You idiot! You fucking idiot!" She had not sworn out loud since her carefree teenage visits to Newcastle, though a potent word sometimes intruded on her thoughts when she heard self-serving evidence or an irrelevant point of law.
And then, not long after that, wheezy with outrage, she had said loudly, at least twice, "How dare you!"
It was hardly a question, but he answered it calmly. "I need it. I'm fifty-nine. This is my last shot. I've yet to hear evidence for an afterlife."
A pretentious remark, and she had been lost for a reply. She simply stared at him, and perhaps her mouth was open. In the spirit of the staircase, she had a response now, on the chaise longue. "Fifty-nine? Jack, you're sixty! It's pathetic, it's banal."
What she had actually said, lamely, was, "This is too ridiculous."
"Fiona, when did we last make love?"
When did they? He had asked this before, in moods plaintive to querulous. But the crowded recent past can be difficult to recall. The Family Division teemed with strange differences, special pleading, intimate half-truths, exotic accusation. And as in all branches of law, fine-grained particularities of circumstance needed to be assimilated at speed. Last week, she heard final submissions from divorcing Jewish parents, unequally Orthodox, disputing their daughters' education. The draft of her completed judgment was on the floor beside her. Tomorrow, coming before her again would be a despairing Englishwoman, gaunt, pale, highly educated, mother of a five-year-old girl, convinced, despite assurances to the court to the contrary, that her daughter was about to be removed from the jurisdiction by the father, a Moroccan businessman and strict Muslim, to a new life in Rabat, where he intended to settle. Otherwise, routine wrangles over residence of children, over houses, pensions, earnings, inheritance. It was the larger estates that came to the High Court. Wealth mostly failed to bring extended happiness. Parents soon learned the new vocabulary and patient procedures of the law, and were dazed to find themselves in vicious combat with the one they once loved. And waiting offstage, boys and girls first-named in the court documents, troubled little Bens and Sarahs, huddling together while the gods above them fought to the last, from the Family Proceedings Court, to the High Court, to the Court of Appeal.
All this sorrow had common themes, there was a human sameness to it, but it continued to fascinate her. She believed she brought reasonableness to hopeless situations. On the whole, she believed in the provisions of family law. In her optimistic moments she took it as a significant marker in civilization's progress to fix in the statutes the child's needs above its parents'. Her days were full, and in the evenings recently, various dinners, something at Middle Temple for a retiring colleague, a concert at Kings Place (Schubert, Scriabin), and taxis, Tube trains, dry-cleaning to collect, a letter to draft about a special school for the cleaning lady's autistic son, and finally sleep. Where was the sex? At that moment, she couldn't recall.
"I don't keep a record."
He spread his hands, resting his case.
She had watched as he crossed the room and poured himself a measure of Scotch, the Talisker she was drinking now. Lately, he was looking taller, easier in his movements. While his back was turned to her she had a cold premonition of rejection, of the humiliation of being left for a young woman, of being left behind, useless and alone. She wondered if she should simply go along with anything he wanted, then rejected the thought.
He had come back toward her with his glass. He wasn't offering her a Sancerre the way he usually did around this time.
"What do you want, Jack?"
"I'm going to have this affair."
"You want a divorce."
"No. I want everything the same. No deception."
"I don't understand."
"Yes you do. Didn't you once tell me that couples in long marriages aspire to the condition of siblings? We've arrived, Fiona. I've become your brother. It's cozy and sweet and I love you, but before I drop dead, I want one big passionate affair."
Mistaking her amazed gasp for laughter, for mockery perhaps, he said roughly, "Ecstasy, almost blacking out with the thrill of it. Remember that? I want one last go, even if you don't. Or perhaps you do."
She stared at him in disbelief.
"There it is, then."
This was when she had found her voice and told him what kind of idiot he was. She had a powerful grip on what was conventionally correct. That he had, as far as she knew, always been faithful made his proposition all the more outrageous. Or if he'd deceived her in the past he'd done it brilliantly. She already knew the name of the woman. Melanie. Not so remote from the name of a fatal form of skin cancer. She knew she could be obliterated by his affair with this twenty-eight-year-old statistician.
"If you do this it'll be the end for us. It's as simple as that."
"Is this a threat?"
"My solemn promise."
By then she had regained her temper. And it did seem simple. The moment to propose an open marriage was before the wedding, not thirty-five years later. To risk all they had so that he might relive a passing sensual thrill! When she tried to imagine wanting something like it for herself—her "last fling" would be her first—she could think only of disruption, assignations, disappointment, ill-timed phone calls. The sticky business of learning to be with someone new in bed, newly devised endearments, all the fakery. Finally, the necessary disentangling, the effort required to be open and sincere. And nothing quite the same when she came away. No, she preferred an imperfect existence, the one she had now.
But on the chaise longue it rose before her, the true extent of the insult, how he was prepared to pay for his pleasures with her misery. Ruthless. She had seen him single-minded at the expense of others, most often in a good cause. This was new. What had changed? He had stood erect, feet well apart as he poured his single malt, the fingers of his free hand moving to a tune in his head, some shared song perhaps, not shared with her. Hurting her and not caring—that was new. He had always been kind, loyal and kind, and kindness, the Family Division daily proved, was the essential human ingredient. She had the power to remove a child from an unkind parent and she sometimes did. But remove herself from an unkind husband? When she was weak and desolate? Where was her protective judge?
Self-pity in others embarrassed her, and she wouldn't have it now. She was having a third drink instead. But she poured only a token measure, added much water and returned to her couch. Yes, it had been the kind of conversation of which she should have taken notes. Important to remember, to measure the insult carefully. When she threatened to end the marriage if he went ahead, he had simply repeated himself, told her again how he loved her, always would, that there was no other life but this, that his unmet sexual needs caused him great unhappiness, that there was this one chance and he wanted to take it with her knowledge and, so he hoped, her assent. He was speaking to her in the spirit of openness. He could have done it "behind her back." Her thin, unforgiving back.
"Oh," she murmured. "That's decent of you, Jack."
"Well, actually..." he said, and didn't finish.
She guessed he was about to tell her the affair had already begun and she couldn't bear to hear it. Didn't need to. She saw it. A pretty statistician working on the diminishing probability of a man returning to an embittered wife. She saw a sunlit morning, an unfamiliar bathroom, and Jack, still decently muscled, pulling a half-unbuttoned clean white linen shirt over his head in that impatient way he had, a discarded shirt tossed toward the laundry basket hanging by one arm before sliding to the floor. Perdition. It would happen, with or without her consent.
"The answer's no." She had used a rising tone, like a flinty schoolmarm. She added, "What else would you expect me to say?"
She felt helpless and wanted the conversation to end. There was a judgment to approve before tomorrow for publication in the Family Law Reports. The fates of two Jewish schoolgirls had already been settled in the ruling she had delivered in court, but the prose needed to be smoothed, as did the respect owed to piety in order to be proof against an appeal. Outside, summer rain beat against the windows; distantly, from beyond Gray's Inn Square, tires hissed on drenched asphalt. He would leave her and the world would go on.
His face had been tight as he shrugged and turned to leave the room. At the sight of his retreating back, she felt the same cold fear. She would have called after him but for the dread of being ignored. And what could she say? Hold me, kiss me, have the girl. She had listened to his footsteps down the hall, their bedroom door closing firmly, then silence settling over their flat, silence and the rain that hadn't stopped in a month.
First the facts. Both parties were from the tight folds of the strictly observant Haredi community in north London. The Bernsteins' marriage was arranged by their parents, with no expectation of dissent. Arranged, not forced, both parties, in rare accord, insisted. Thirteen years on, all agreed, mediator, social worker and judge included, that here was a marriage beyond repair. The couple were now separated. Between them they managed with difficulty the care of the two children, Rachel and Nora, who lived with the mother and had extensive contact with the father. Marriage breakdown had started in the early years. After the difficult birth of the second girl, the mother was unable to conceive again, due to radical surgery. The father had set his heart on a large family and thus began the painful unraveling. After a period of depression (prolonged, said the father; brief, said the mother), she studied at the Open University, gained a good qualification and entered on a career in teaching at primary level once the younger had started school. This arrangement did not suit the father or the many relatives. Within the Haredim, whose traditions were unbroken for centuries, women were expected to raise children, the more the better, and look after the home. A university degree and a job were highly unusual. A senior figure of good standing in the community was called as a witness by the father and said as much.
Men did not receive much education either. From their mid-teens, they were expected to give most of their time to studying the Torah. Generally, they did not go to university. Partly for this reason, many Haredim were of modest means. But not the Bernsteins, though they would be when their lawyers' bills were settled. A grandparent with a share in a patent for an olive-pitting machine had settled money on the couple jointly. They expected to spend everything they had on their respective silks, both women well known to the judge. On the surface, the dispute concerned Rachel and Nora's schooling. However, at stake was the entire context of the girls' growing up. It was a fight for their souls.
Haredi boys and girls were educated separately to preserve their purity. Modish clothes, television and the Internet were forbidden, and so was mixing with children who were allowed such distractions. Homes that did not observe strict kosher rules were out of bounds. Every aspect of daily existence was well covered by established customs. The problem had started with the mother, who was breaking with the community, though not with Judaism. Against the father's objections, she was already sending the girls to a coeducational Jewish secondary school where television, pop music, the Internet and mixing with non-Jewish children were permitted. She wanted her girls to stay on at school past the age of sixteen and to go to university if they wished. In her written evidence she said she wanted her daughters to know more about how others lived, to be socially tolerant, to have the career opportunities she never had, and as adults to be economically self-sufficient, with the chance of meeting the sort of husband with professional skills who could help to support a family. Unlike her husband, who gave all his time to studying, and teaching the Torah eight hours a week without pay.
For all the reasonableness of her case, Judith Bernstein—angular pale face, uncovered frizzy ginger hair fastened with a huge blue clasp—was not an easy presence in court. A constant passing forward with freckly agitated fingers of notes to her counsel, much muted sighing, eye-rolling and lip-pursing whenever her husband's counsel spoke, inappropriate rummaging and jiggling in an outsized camel leather handbag, removing from it at one low point in a long afternoon a pack of cigarettes and a lighter—provocative items in her husband's scheme, surely—and lining them up side by side, on hand for when the court rose. Fiona saw all this from her advantage of height but pretended not to.
Mr. Bernstein’s written evidence was intended to persuade the judge that his wife was a selfish woman with “anger- management problems” (in the Family Division, a common, often mutual charge) who had turned her back on her marriage vows, argued with his parents and her community, cutting the girls off from both. On the contrary, Judith said from the stand, it was her parents-in-law who would not see her or the children until they had returned to the proper way of life, disowned the modern world, including social media, and until she kept a home that was kosher by their terms.
Mr. Julian Bernstein, reedily tall, like one of the rushes that hid the infant Moses, apologetically stooped over court papers, sidelocks stirring moodily as his barrister accused his wife of being unable to separate her own needs from the children’s. What she said they needed was whatever she wanted for herself. She was wrenching the girls away from a warmly secure and familiar environment, disciplined but loving, whose rules and observances provided for every contingency, whose identity was clear, its methods proven through the generations, and whose members were generally happier and more fulfilled than those of the secular consumerist world outside—a world that mocked the spiritual life and whose mass culture denigrated girls and women. Her ambitions were frivolous, her methods disrespectful, even destructive. She loved her children far less than she loved herself.
To which Judith responded huskily that nothing denigrated a person, boy or girl, more than the denial of a decent education and the dignity of proper work; that all through her childhood and teenage years she had been told that her only purpose in life was to run a nice home for her husband and care for his children—and that too was a denigration of her right to choose a purpose for herself. When she pursued, with great difficulty, her studies at the Open University, she faced ridicule, contempt and anathemas. She had promised herself that the girls would not suffer the same limitations.
The opposing barristers were in tactical agreement (because it was plainly the judge’s view) that the issue was not merely a matter of education. The court must choose, on behalf of the children, between total religion and something a little less. Between cultures, identities, states of mind, aspirations, sets of family relations, fundamental definitions, basic loyalties, unknowable futures.
In such matters there lurked an innate predisposition in favor of the status quo, as long as it appeared benign. The draft of Fiona’s judgment was twenty-one pages long, spread in a wide fan facedown on the floor, waiting for her to take it up, a sheet at a time, to mark with soft pencil.
No sound from the bedroom, nothing but the susurrus of traffic gliding through the rain. She resented the way she was
listening out for him, her attention poised, holding its breath, for the creak of the door or a floorboard. Wanting it, dreading it.
Among fellow judges, Fiona Maye was praised, even in her absence, for crisp prose, almost ironic, almost warm, and for the compact terms in which she laid out a dispute. The Lord Chief Justice himself was heard to observe of her in a murmured aside at lunch, “Godly distance, devilish understanding, and still beautiful.” Her own view was that with each passing year she inclined a little more to an exactitude some might have called pedantry, to the unassailable definition that might pass one day into frequent citation, like Hoffmann in Piglowska v. Piglowski, or Bingham or Ward or the indispensable Scarman, all of whom she had made use of here. Here being the limp, unperused first page hanging from her fingers. Was her life about to change? Were learned friends soon to be murmuring in awe over lunch here, or in Lincoln’s or Inner or Middle Temple, And then she threw him out? Out of the delightful Gray’s Inn flat, where she would sit alone until at last the rent, or the years, mounting like the sullen tidal Thames, swept her out too?
Back to her business. Section one: “Background.” After routine observations about the family’s living arrangements, about residence of the children and contact with the father, she described in a separate paragraph the Haredi community, and how within it religious practice was a total way of life. The distinction between what was rendered to Caesar and what to God was meaningless, much as it was for observant Muslims. Her pencil hovered. To cast Muslim and Jew as one, might that seem unnecessary or provocative, at least to the father? Only if he was unreasonable, and she thought he was not. Stet.
Her second section was entitled “Moral differences.” The court was being asked to choose an education for two young girls, to choose between values. And in cases like this one, an appeal to what was generally acceptable in society at large was of little help. It was here she invoked Lord Hoffmann. “These are value judgments on which reasonable people may differ. Since judges are also people, this means that some degree of diversity in their application of values is inevitable...”
Over the page, in her lately developing taste for the patient, exacting digression, Fiona devoted several hundred words to a definition of welfare, and then a consideration of the standards to which such welfare might be held. She followed Lord Hailsham in allowing the term to be inseparable from well-being and to include all that was relevant to a child’s development as a person. She acknowledged Tom Bingham in accepting that she was obliged to take a medium- and long-term view, noting that a child today might well live into the twenty-second century. She quoted from an 1893 judgment by Lord Justice Lindley to the effect that welfare was not to be gauged in purely financial terms, or merely by reference to physical comfort. She would take the widest possible view. Welfare, happiness, well-being must embrace the philosophical concept of the good life. She listed some relevant ingredients, goals toward which a child might grow. Economic and moral freedom, virtue, compassion and altruism, satisfying work through engagement with demanding tasks, a flourishing network of personal relationships, earning the esteem of others, pursuing larger meanings to one’s existence, and having at the center of one’s life one or a small number of significant relations defined above all by love.
Yes, by this last essential she herself was failing. The Scotch and water in a tumbler at her side was untouched; the sight of its urinous yellow, its intrusive corky smell, now repelled her. She should be angrier, she should be talking to an old friend—she had several—she should be striding into the bedroom, demanding to know more. But she felt shrunken to a geometrical point of anxious purpose. Her judgment must be ready for printing by tomorrow’s deadline, she must work. Her personal life was nothing. Or should have been. Her attention remained divided between the page in her hand and, fifty feet away, the closed bedroom door. She made herself read a long paragraph, one she had been dubious about the moment she had spoken it aloud in court. But no harm in a robust statement of the obvious. Well-being was social. The intricate web of a child’s relationships with family and friends was the crucial ingredient. No child an island. Man a social animal, in Aristotle’s famous construction. With four hundred words on this theme, she put to sea, with learned references (Adam Smith, John Stuart Mill) filling her sails. The kind of civilized reach every good judgment needs.
And next, well-being was a mutable concept, to be evaluated by the standards of the reasonable man or woman of today. What sufficed a generation ago might now fall short. And again, it was no business of the secular court to decide between religious beliefs or theological differences. All religions were deserving of respect provided they were, in Lord Justice Purchas’s phrase, “legally and socially acceptable” and not, in Lord Justice Scarman’s darker formulation, “immoral or socially obnoxious.”
Courts should be slow to intervene in the interests of the child against the religious principles of the parents. Sometimes they must. But when? In reply, she invoked one of her favorites, wise Lord Justice Munby in the Court of Appeal. “The infinite variety of the human condition precludes arbitrary definition.” The admirable Shakespearean touch. Nor custom stale her infinite variety. The words derailed her. She knew the speech of Enobarbus by heart, having played him once as a law student, an all-female affair on a lawn in Lincoln’s Inn Fields one sunny midsummer’s afternoon. When the burden of bar exams had recently been lifted from her aching back. Around that time, Jack fell in love with her, and not long after, she with him. Their first lovemaking was in a borrowed attic room that roasted under its roof in the afternoon sun. An unopenable porthole window gave a view east of a slice of Thames toward the Pool of London.
She thought of his proposed or actual lover, his statistician, Melanie—she had met her once—a silent young woman with heavy amber beads and a taste for the kind of stilettos that could wreck an old oak floor. Other women cloy/The appetites they feed, but she makes hungry/Where most she satisfies. It could be just like that, a poisonous obsession, an addiction drawing him away from home, bending him out of shape, consuming all they had of past and future, as well as present. Or Melanie belonged, as Fiona herself clearly did, with “other women,” the ones who cloy, and he would be back within the fortnight, appetite sated, making plans for the family holiday.
Either way, unbearable.
Unbearable and fascinating. And irrelevant. She forced herself back to her pages, to her summary of the evidence from both parties—efficient and drily sympathetic enough. Next, her account of the court-appointed social worker’s report. A plump, well-intentioned young woman often out of breath, uncombed hair, untucked unbuttoned blouse. Chaotic, twice late for the proceedings, due to some complicated trouble with car keys and documents locked in her car and a child to collect from school. But in place of the usual please-both-parties dither, the Cafcass woman’s account was sensible, even incisive, and Fiona quoted her with approval. Next?
She looked up and saw her husband on the other side of the room, pouring another drink, a big one, three fingers, perhaps four. And barefoot now, as he, the bohemian academic, often was indoors in summer. Hence the quiet entrance. Likely he had been lying on the bed, regarding for half an hour the lacy ceiling moldings, reflecting on her unreasonableness. The hunched tension of the shoulders, the way he returned the stopper—a smack with the heel of his thumb—suggested that he had padded in for an argument. She knew the signs.
Product details
- ASIN : B00JNQKR46
- Publisher : Anchor
- Accessibility : Learn more
- Publication date : September 9, 2014
- Language : English
- File size : 3.0 MB
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Print length : 242 pages
- ISBN-10 : 9780385539715
- ISBN-13 : 978-0385539715
- Page Flip : Enabled
- Best Sellers Rank: #391,210 in Kindle Store (See Top 100 in Kindle Store)
- #810 in Psychological Literary Fiction
- #2,022 in Psychological Fiction (Books)
- #2,529 in Historical Literary Fiction
- Customer Reviews:
About the author

Ian McEwan is a critically acclaimed author of short stories and novels for adults, as well as The Daydreamer, a children's novel illustrated by Anthony Browne. His first published work, a collection of short stories, First Love, Last Rites, won the Somerset Maugham Award. His other award-winning novels are The Child in Time, which won the 1987 Whitbread Novel of the Year Award, and Amsterdam, which won the 1998 Booker Prize.
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Learn more how customers reviews work on AmazonCustomers say
Customers find this book well-written with carefully plotted stories, and one review notes how the prose exposes the truths of real life. Moreover, the characters are nicely developed, with one review highlighting the author's skill in developing relationships between protagonists. However, customers disagree on the book's complexity and pacing, with some finding it hard to follow. Additionally, the book's length receives mixed reactions, with some appreciating its brevity while others find it too short.
AI-generated from the text of customer reviews
Customers find the book well written and engaging, describing it as one of the finest novels they've read.
"...Act is a wonderful novel that is most definitely worth any reader’s time and money. This novel is for any reader that likes a realistic tragedy...." Read more
"...I think it is enough for the story. It is very fluently and you really want to finish the story that is very important when you read something in..." Read more
"...Yet while she comes across as sensible, practical, unflappable, her professional demeanor belies the turmoil of her personal life...." Read more
"...Mc Ewan does that so elegantly that it is a great pleasure to read...." Read more
Customers praise the carefully plotted story of this well-written contemporary novel, with one customer noting how the masterful prose exposes the truths of real life.
"...This novel is for any reader that likes a realistic tragedy. McEwan’s thoughtful and poetic writing should attract all readers to The Children Act." Read more
"...I found this book tremendously intriguing...." Read more
"...The judge protagonist of the story, Fiona is utterly real, her intellect and human failings pulling her in different directions...." Read more
"...I guess the premise was a good plot point but it didn't make it believable for me...." Read more
Customers praise the writing quality of the book, describing it as wonderfully written with incredible paragraphs and exquisitely beautiful language.
"...This is untrue. Though still thought-provoking and wonderfully written, Fiona consistently ruled against religion and did confine these characters..." Read more
"...I think it is enough for the story. It is very fluently and you really want to finish the story that is very important when you read something in..." Read more
"...Of course you are immediately taken with his prose style: distinctive and a pleasure to read...." Read more
"...This is a beautifully written, enthralling story about the law and about fascinating, fully-realized characters for whom the reader learns to care...." Read more
Customers find the book insightful and thought-provoking, with one customer noting how it allows readers to understand the actions of all involved.
"...This novel is for any reader that likes a realistic tragedy. McEwan’s thoughtful and poetic writing should attract all readers to The Children Act." Read more
"...a long time and is well-respected by her colleagues as being fiercely intelligent and deeply immersed in the nuances of her chosen field of the law,..." Read more
"...Yet while she comes across as sensible, practical, unflappable, her professional demeanor belies the turmoil of her personal life...." Read more
"...The detail is precise yet concise, the issues raised balanced and without prejudice to any party...." Read more
Customers appreciate the character development in the book, particularly noting the well-developed and fascinating protagonist, with one customer highlighting how the main character's personality unfolds steadily throughout the story.
"...enthralling story about the law and about fascinating, fully-realized characters for whom the reader learns to care...." Read more
"...I enjoyed the characters and actually wished the book was a little longer so that the reader was able to spend more time with them...." Read more
"...The author does a credible job in character development in this story...." Read more
"...His characters all feel so real and you'll find yourself holding your breath at times with what is happening...." Read more
Customers have mixed opinions about the book's complexity, with some finding it very complex while others say it lacks depth and is hard to follow.
"...Very complex and a good read. I only wished it was longer." Read more
"...to me, very convenient for the purpose of the plot, but not at all believable...." Read more
"...The novel adroitly explores the complex issues that judges are faced with every day and the affect they can have on their personal lives...." Read more
"...very accessible to the people around her, she is admired, but not very approachable, she doesn't easily make personal connections with people...." Read more
Customers have mixed opinions about the pacing of the book, with some finding the judge character fascinating while others report that the book fell apart for them.
"...ultimately a sad but uplifting story about human possibilities and resilience...." Read more
"...The book’s ending is beautiful, moving, and convincing...." Read more
"...In one episode in that book, although it was June, the weather was very cold and heating systems automatically got on...." Read more
"Spare and riveting. This is s very short book, almost like a novella...." Read more
Customers have mixed opinions about the book's length, with some appreciating its brevity while others find it too short.
"Spare and riveting. This is s very short book, almost like a novella...." Read more
"The only complaint I have about this beautiful book is that it was too short. But it couldn't have been any other way...." Read more
"...Morally complex, brief, and wonderful for discussion." Read more
"...The book was short and easy to read; no real vocabulary stretching needed by the reader...." Read more
Reviews with images

Hauntingly moving The Children Act is a novel of passion, loss and courage.
Top reviews from the United States
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- Reviewed in the United States on December 4, 2016A good book is one that entices the reader, while provoking thought. The Children Act does just that. This book originally seemed like it was going to be about a bunch of court cases about divorced parents fighting for custody, but it took a darker turn when it began to focus on cases that involved the mortality of sickened children. The idea was first introduced with the court case about siamese twins that had to be cut apart, inevitably killing one of the two, but the story is brought to its climax with the court case about a Jehovah’s Witness, merely months away from 18, named Adam Henry who refuses blood transfusion that will save him from his leukemia. Judge Fiona Maye is forced to make a decision for this case while being infatuated by this teenage boy.
During 2014, when this book was published, another book about radical Jehovah’s Witnesses came out called High as the Horses’ Bridles by Scott Cheshire. In the same realistic fiction genre, both of these books take a deeper look into religious ideologies and how they can be life or death. This genre pulls the reader into a fictional story that the reader can also see as a part of his/her own reality. This allows the reader to empathize with the characters of these stories and feel something while reading the novel.
Though McEwan sometimes confuses the reader with his introduction of multiple insignificant characters at once with seemingly infinite different names to remember, this novel is still an outstanding one to read. The greatest accomplishment of McEwan was his ability to make Adam Henry’s life and tragic death in the most poetic way possible. His “suicide letter/poem” incorporate metaphors of Fiona as the devil fish and Adam’s religious life as the cross that he sinks. The awful death of someone so young put in a way that was beautiful.
Ron Charles wrote a review of The Children Act on September 2, 2014 for The Washington Post. He claims that McEwan perfectly incorporated a religious theme without making the religious characters look ignorant and also claims that McEwan allowed Fiona to view differences in class and education in a sensitive way. This is untrue. Though still thought-provoking and wonderfully written, Fiona consistently ruled against religion and did confine these characters to the stereotype of extremists. She also does not see why certain people would live in a poor neighborhood, which is an elitist thought and shows a lack of empathy from her for those of different socioeconomic levels. Even though these ideologies are insensitive and hurtful, and McEwan does reduce Adam’s parents to “ignorant Bible-thumpers,” it is perfectly incorporated into the novel in a way that only adds to the complexity of Fiona as a character. The reader does not have to agree with a certain ideology presented in a novel to enjoy the novel itself. Charles is correct, though, that “The Children Act doesn’t enact the happy triumph of humanism. Instead, it recognizes how fragile we all are and how cautious we should be about disrupting another’s well-ordered universe.” Adam died because after Fiona collapsed the only life he had ever known, she did not give him support to fill the void that religion once filled, and Charles perfectly explained this in his review.
The Children Act is a wonderful novel that is most definitely worth any reader’s time and money. This novel is for any reader that likes a realistic tragedy. McEwan’s thoughtful and poetic writing should attract all readers to The Children Act.
- Reviewed in the United States on January 7, 2017The main character of that book 58 years old successful judge named fiona. All of the story is circumferences of some cases which are determined by her. But in generally the story is focusing on one particular cases much more the other.
First of all it is interesting for me to read novel which is tell our times. I mean all of story that I read generally told at least 100 years old or they did not refer any modern event in the story. So it is interesting for me to read “look the internet” or “text message to me” or “syrian war , isil “ etc in any story. It is like a real.
Secondly the story is not long. I think it is enough for the story. It is very fluently and you really want to finish the story that is very important when you read something in second language.
Thirdly up to now, I did not go and court and I have not got any friend who is working on court. It is very interesting for me to know how they take decision. Because the writer give much more detailed rather than any film.
Finally The description ability of the writer is wonderful in my opinion. Some times he describe some small event or status. But he gave much more details. Sometimes he gave information which can be read in 10 minutes but in the reality it takes just 1 minute.
On the other hand, the writer tried to describe multi event simultaneously. He changed situation when the other was not finished and after one paragraph he return the first situation. So sometimes it is hard to trace the story for especially non native speakers. And he used very very different and unusual words. So it is hard to read sometimes for me as a non-native english speakers.
Last but the most important in my opinion, the writer does not believe in god and he encourage the reader to not believe in god too. And he is done this opinion very very old techniques. I mean I read many many books when I was child which are describe the main and high prioriy person in the story is religious. When you read that book especially if you young you think that yes, he or she is good and I have to be like him. That is subliminal message. To be honest the main character did not express her idea about belief clearly, but most of the good character express they do not believe in god and also main characters behavior seems to be same. But negative characters of this story are radical Christian family. The writer try to draw attention the negative effect of radicalism as well and I think it is absolutely right. Because in my opinion the main problem is not related to the religion. It is related to radicalism. But the writer made a lot of emphasis to not believe in god is the best way. And am not the same page with him.
And for some extra comments, I should say I learnt more information about Londan weather especially in summer season. Because the writer used 27 times cold and 18 time rain. And also very interesting points is the writer used expression of “summer cold”. In one episode in that book, although it was June, the weather was very cold and heating systems automatically got on. What on earth cold in June and heating system is on.
Top reviews from other countries
- Amazon CustomerReviewed in Italy on September 24, 2024
5.0 out of 5 stars Good book
Very readable. A good story in the style of this author
- silvia mcnallyReviewed in Canada on June 24, 2017
5.0 out of 5 stars Great writing....great exploration of decisions made in life!!
This was a book that was suggested by my book club, and I am so glad! This certainly isn't a book that will make you smile, but it will certainly make you think: that's a good thing. One of the first things that struck me, was the writing. After a few lines it was very evident that I was in England, and so with that came a certain sound in my head with regard to how the world of Fiona would sound. This may sound strange, but for me it became a live back drop. Fiona May, leads us by the hand through her life. She certainly does not sugarcoat things, even if sometimes she would like others in her life to do so. Even if you do not always agree with her decisions, you do understand perfectly well why she makes them, and that is a true tip of the hat to Ian McEwan. Your heart says no, but your head nods! I would recommend this book to book clubs, because the discussion after is very interesting indeed.
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MyrellaReviewed in Brazil on October 19, 2021
5.0 out of 5 stars Maravilhoso
Livro maravilhoso, em excelente estado como novo.
MyrellaMaravilhoso
Reviewed in Brazil on October 19, 2021
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lectrice anglophoneReviewed in France on October 27, 2018
5.0 out of 5 stars Emotions intenses; écriture élégante et soignée
Je viens de lire "The Children Act" et je suis encore sous le choc. Je suis en admiration devant la structure des phrases, denses et merveilleusement bien rendues, et comme toujours avec McEwan des nuances subtiles dans l'analyse du personnage principale, ici, Fiona Maye, juge au Tribunal des Affaires Familiales à Londres. Ce roman est court, donc, on ne connait pas à fond les pensées et les émotions des autres protagonistes.
En ce qui concerne les romans de cet auteur "The Children Act" arrive un peu derrière "Atonement", un des meilleurs livres que j'ai jamais lu. Par contre je ne recommande pas "Saturday" ou "Amsterdam", romans prétentieux et agaçants. Une suggestion pour l'auteur : essayez de sortir de votre zone de confort, le milieu "upper middle class " londonien d'universitaires, d'écrivains, d'éditeurs, de chirurgiens, de juristes ... amateurs de poésie et mélomanes.
"The Children Act": Roman poignant, une mélancolie douce-amère, que les amateurs de romans "littéraires" aimeront.
- Radha RangarajanReviewed in India on September 13, 2015
3.0 out of 5 stars Good read but not one that moves
The book has interesting moments but fails to leave a huge impression. The theme of the story, children's rights, is compelling and the main protagonists, a woman judge and a boy refusing treatment for medical treatment, are very interesting, the book fails to move. It is not a book that lingers in the mind.